inhoudsopgavet

Preface Introduction to the english translation Summary of the intervals Roman numeral chord symbols				I IV V VI
CHAPTER 1			Introduction to the keyboard and to the theory of harmony
	LESSON 1 LESSON 2 LESSON 3 LESSON 4 LESSON 5 LESSON 6 LESSON 7	Names of the keys The triad in root position Inversions of the triad The triads in minor The seventh chords on the white keys The black keys, harmonic functions and the circle of fifths The minor scales		1 3 5 6 7 11 14
CHAPTER 2			the first chord progressions
	LESSON 8 LESSON 9 LESSON 10 LESSON 11 LESSON 12 LESSON 13 LESSON 14	Primary degrees in traditional harmony Primary degrees in jazz dominant —> tonic (V7 —> I) in jazz subdominant —> tonic (IV —> I) in jazz A few voice-leading rules Sus-4 —> dominant seventh chord —> Tonic Dominant —> tonic, with some chromatics Subdominant —> Dominant, the II-V-progression Subdominant —> Dominant —> Tonic, the II-V-I-progression		19 21 21 22 24 25 27 28 32
CHAPTER 3			Secondary degrees and secondary (applied) dominants
	LESSON 15 LESSON 16 LESSON 17 LESSON 18	VIth degree in major (submediant) IIIrd degree in major (mediant) VIIth degree in major (leading tone chord) Secondary dominants (1) Points to remember		39 40 43 45 50
CHAPTER 4			Minor and minor-major
	LESSON 19 LESSON 20 LESSON 21 LESSON 22 LESSON 23	Scale degrees in minor and minor-major Voice leading and chord extensions in minor Voice leading in minor-major The dim chord on VII and its role as secondary dominant Thickened line and the sixth diminished scale		51 54 56 59 62
CHAPTER 5			Secondary dominants (2)
	LESSON 24 LESSON 25 LESSON 26	V7 with flat five (–5), and the tritone related (TR) dominant 7th chord The dominant chain and another TR dominant 7th chord Tritone related (TR) secondary dominants		69 71 74
CHAPTER 6			Embellishing chords
	LESSON 27 LESSON 28 LESSON 29 LESSON 30 LESSON 31 LESSON 32	Dissonants, suspending tones and suspending chords Short recapitulation of previously used terminology Passing tones and passing chords Passing diminished 7th chords with subdominant function Alternating chords Approach chords Leading chords Tips for chord voicings		81 87 90 95 100 103 105 110
CHAPTER 7			Alterations and altered chords
	LESSON 33 LESSON 34 LESSON 35 LESSON 36 LESSON 37 LESSON 38	Alterations in general Neapolitan 6th, flat-II7, and double flat-VII7 (bb5) Diminished 7th chords and octotonics Alterations of the 7th chord on IV Alterations of the dominant 7th chords The augmented triad		111 113 115 119 123 126
reference Index				Ind. 1-6